Design Project Profile: Woermann Tower

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Architects: Ábalos & Herreros, Casariega / Guerra
Rolling-Mill: Cricursa

The isthmus that joins the tiny peninsula of La Isleta to Las Palmas, Gran Canaria, has taken on a new stance on color. Ferrovial Inmobiliaria, the project sponsor, offered to create a highly individual area for the island with the Woermann Tower. The tower looks across the city and the city looks towards the tower, hence it was necessary to create a building that would attract the gaze, with a high degree of originality; but at the same time its symbolic location also would demand that the project must fit in well with its surroundings. This goal has been achieved by virtue of its height, sinuous shapes and the yellow that illuminates its picture windows.

To bring the idea to reality, the Ábalos & Herreros architecture study team which worked on this project in collaboration with Canadian architects Joaquín Casariego and Elsa Guerra, decided to make use of laminated greenish-yellow glass windows, on the advice of Cricursa, so that the views from inside took on the greatest possible prominence, turning the tower into a “natural vantage point”, as its creators like to call it.

In order to give a more naturalistic appearance to the facade, the picture windows were also covered with serigraphies representing naturalistic ideas: “we would like to make a connection between the landscape and homes, and give life to the façade as being something not entirely passive”, the architects explained.

The use of laminated glass in this project was required when dealing with a tall building. In practical terms, the choice of Vanceva® adds the qualities of the interlayers’ good adhesion and resistance to breakage and cracking to the benefits of traditional laminated glass, which helps improve security and safety of the property and of people. In addition, the wide range of colours and shades ensured that it would be easy to find just the colour the designers wanted.

The end-result is an imposing building designed to accommodate everything from homes to offices, a library, municipal information centre and a car-park. In all, the project comprises a residential towerblock 60 metres high with 14 floors. Inside, we find homes of various sizes, complemented by business premises, running up and down, private offices of the local authority and the library already mentioned.  As it could hardly be otherwise, the homes are distinguished by an innovative style of design of highest quality, featuring a home-automation and home-management system.

True to the usual Ábalos & Herreros style, it was decided to opt for ceilings at a generous height – 4 metres, almost double the usual height – in homes overlooking the sea and city, using the Vanceva® colour. “Woermann Tower is a virtual forest, from which one can enjoy the pleasures of living immersed in a diverse landscape”, its creators observe poetically. The building is part of the Woermann project, which is complemented by a lovely square below, finished in Portuguese stonework, open towards the sea and closed off at the sides by two buildings.

In short, for the architects “Woermann Tower seeks to embody the illusions, desires and fantasies of a society that seeks to achieve an accommodation between naturalism and development, an intense way of life yet faithful to the landscape”.

Design Project Profile: La Casa de Mamá

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Architect: Ángel Luis Lorenzo
Window Manufacturer: Ariño-Duglass

Right at the heart of Guadalajara, “La Casa de Mamá” brings a touch of colour to the city’s landscape. When viewed at a distance, it’s a gigantic cube of brilliant shades reflecting the sunlight.  However, once inside we get a sensation of walking through rooms in which everything is a blaze of colour, yet also transparent, as the light penetrates into the building, filtered through the Vanceva® glass sheets: a complete multi-coloured prism, which can leave no-one cold. Parents are astonished by the innovative, mould-breaking aesthetic, in a rather traditional setting, and children – at whom the project is primarily aimed– are delighted at being able to play and amuse themselves is such an unusual environment.

The dream of its designer, Ángel Luis Lorenzo, became reality thanks to Vanceva® colour interlayers: “The building’s intrinsic architectural design implied using colour, she explained.   It involved building a transparent ‘box’ using colour as a resource, so that it would be instantly recognizable for children and suitable for its intended use”. Six Vanceva® shades were chosen to give the project its distinctive character: blue, green, red, pink, yellow and orange.

The façade comprises various vertical and horizontal modules, in which fortuitous patterns in the colours used are blended together, creating an impression of ‘organized chaos’, perfectly encapsulating the child’s outlook. “We were seeking the right balance to make the most of the glazing, both financially and having regard to its position. In this way, we succeed in getting a façade that is neutral, abstract, in the style of a mosaic of colour”, notes Lorenzo.

Open Paradox: KAIST IT Convergence Center

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Courtesy of jury member Jeeyong An

The proposal for the IT Convergence Center for KAIST (Korea Advanced Institute of Science and Technology) aims to provide a truly multi-disciplinary research and educational environment for the institute. Located on the sloped East Campus Plaza of KAIST, the building allows free-flowing interaction between students and faculty of multiple academic disciplines as well as with the remaining school population and the public, fostering an atmosphere of creativity and openness.

The placement of the building takes into consideration its relationship with the campus as a whole, allowing people to approach easily from all neighboring areas of the campus, thus providing the previously neglected north east corner of the campus with a new lively presence. The open plaza features colorful landscape with various embedded programs such as the convergence plaza and an amphitheater which sit on the sloped site.


Image courtesy of Ginseng Chicken Architecture P.C.

The building itself is largely divided into three zones, the educational zone located at the top, the research zone occupying the center, and the public zone on the ground level. Within the research zone students labs located on the north wing are separated by a bridged atrium space with the faculty offices of the south wing.  The bridged atrium allows for less emphasis on the direct, sometimes even restrictive, affiliation between student and professor and encourages across-fertilization between different disciplines and research teams. The atrium also allows for the research activities taking place within the zone to be visible by the public visiting the building on the ground level, resulting in a dynamic and mutually beneficial, educational relationships between all three types of occupants (faculty, students and visiting public) within the building.

Design Architect:
Ginseng Chicken Architecture P.C.
Partners: Jeeyong An, Sang Hwa Lee
Project Team: Giyoung Park, Unchung Na, So Rae Yoo, Cheryl Gourley, Ji Yoon Oh, Ulyong Moon, Sieun Lee
116 W 23rd St 5FL, New York, NY, 10011 / www.ginsengchicken.net

Local Architect:
ILKUN Architects & Engineers Ltd.
Pricipal: Il-In Hwang
Project Team: Sung-Jung Chough, Hye Jin Choi, Hyun Hee An
ILKUN Building 800-4 Bangbae Dong, Seocho Gu, Seoul 137-060, Korea / www.ilkun.com

Consultants:
Nito Structural Design Co., Ltd.,
Sun Structural Engineering
Woowon Engineering
Saem Landscape Architects
Gyoung Tak Park, Landscape Architect

Color Perception, Measurement and Comparison… It’s NOT All the Same to Me!

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Courtesy of Julie Schimmelpenningh, Global Applic ations Manager at Solutia Inc.

Our world is enhanced and our interest is piqued everyday by the colors around us. The colors of the clothes we choose to wear, our cars, our homes and how we decorate our work areas all give some slight inkling into our personality and individualism. It’s the same for a faç ade or interi or gl ass of a building. “Some buildings are designed to blend harmoniously into the environment while others are meant to make a statement, stand out and be noticed.” Think of the elegant blue green buildings so prominently seen along coastlines, buildings meant to blend with the ocean, versus Circus Circus or New York New York in Las Vegas, Nevada, meant to draw attention.

The color choices for glass in a building can become very complicated if we let them. A basic understanding of color science is necessary to elevate our understanding and lead to inspiring selections of color that are endorsed by all members of the project team.

First we need to understand that colors are only seen by humans in the visible portion of the solar spectrum from about 380 – 400 nanometers (nm) through 700 – 780 nm, this varies with the reference consulted. The colors are “assigned” wavelength regions or “blocks” where they predominately seen, however there is considerable transition between those assigned blocks. For instance, green is noted to occur from approximately 480 – 560 nm with blue occurring below 480 nm and yellow occurring above 560 nm.  However, at the upper limit of the “blue” region the color isn’t considered blue, but blue-green. At the bottom end of the yellow region, it’s not yellow, but greenish-yellow.

With so many transitional color possibilities, it is no wonder color choices can seem to be a huge task. Couple the number of possibilities with all the variables in perceiving color, no two people see things the same. Variables like light source, viewing angle, the viewer’s sensitivities, perceptions of certain colors, their age and even which sex they are all affect how color is perceived and defined. So how is someone supposed to see the color they like and want, and get that exact color specified and delivered?

There is no way to control all the variables, so pick a color that best states the objective of your project, ensure awareness of the variables throughout the value chain and don’t be wary to color often!

Candy Coated Color

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It’s the fashion world that created the concept of the flagship store, spaces where brands can showcase their ideas in purist perfection.  Not just places to shop, these stores embody how designers and marketing chiefs want their brands to be seen.

Chocolate brand Ritter Sport opened its flagship in the fashionable Mitte neighborhood, opposite the celebrated restaurant Borchardt.  Inside, the walls are covered with the company’s distinctive square bars in their coloured wrappers – something no regular retailer could, or would, do for the firm given the enormous amount of shelf space this requires.  With its interactive chocolate museum the store is designed to appeal to both children and their parents alike.

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